By Karin Randolph

 

Upstate

It was the year of the lake. Mother suggested

little finger lakes, taught me how to dive crisply

into one without making a mess of the others.

Then the family lake where you’re all lined up.

Then the house closing in, creaks and fissures

and the shudder of bottom. I read the same

old tattered comic book, mumbled a prayer I

swore I’d never get caught mumbling. A god who

loved rafts that automatically inflate. One lake a

vast sloppy blue. To love the hiss of oxygen in

your head.

 
Warren

This little pastel rabbit is a symbol of a

trial ending in levitation, a model for our inner

city project. That big Easter bunny must have

contained a man, muffled, overheated, who

didn’t necessarily love babies, not to mention

bad air. I scream in his furry arms, you can see

interconnected tunnels for quick egress. Art

projects in the basement with pulleys, trapdoors.

One of our pale Houdinis rose from defunct to

repair the dissolute mechanism. And now how

about a big hand for my hardworking crossbow!

 
Long Long Ago

I study the old masters, one mud puddle

mysterious as Titan (not Titian). Funny how

this warm yellow looks ice cold. That’s a moon

for you. Now that she’s dying she’s sneaky,

slipping into my curled nap, coat too tight at the

door, red smile, purse like Queen Elizabeth II.

The room fills with her lungs. Someone let the

canary loose. The amphitheater with a little dim

drama. I’m navigating slowly with both ears, wet

slapping at the steps.
 
 
Karin Randolph is an ex-painter turned writer. She has had one-person shows of her paintings in Chicago, New York, and Germany. She was founder and editor of the poetry journal, Mind The Gap, which featured British and American poetry. Most recently, she was a finalist in the 2007 National Poetry Series. She lives in Brooklyn with her husband.